Best Shure MV7 Plus Alternatives

Based on 9 reviews

I've been using it for 3 years. This microphone is excellent! I'm a jazz singer (baritone). It really does a good job bringing the clarity of my vocals. No more muffled sound! I used to have SM58 and beta 58a, now I prefer this one for rehearsal and gigs. Most of the time, I don't need to adjust the EQ because it's already good. For this price point, you will not be disappointed! I highly recommend it for vocal students who would like to have a decent microphone but on a budget. Pros - clear vocals - don't need to change EQ for most situations - great value of money - nice design (imo) Cons - a little bit big and heavy (but you'll get used to it) - sensitive to high frequency (sometimes need to adjust the EQ to avoid feedback) - moderate handling noise (use a mic stand / don't move...

Based on 7 reviews

I only used this mic for heavy vocals in recording and in live sessions. Our vocalist loves cupping the mic and when he was using my Shure beta the feedback was just too much to handle. But that's not the reason that I bought this mic, Glen Fricker (SMG studios on youtube) recommended it, and I'm happy that I took his advice. With the beta, my screams and growls sound more "black metal" and sound a bit distant, which is great, gives a great atmosphere. But with the lewitt, man, the vocals just hit you in the face. Great for death metal, punchy as hell, cuts right through the mix. Can't say anything about recording guitars, need to try that out when I have a treated room to do so, but for now, I'm happy with the product. It also seems sturdy and VERY well built. It's heavy...

Based on 5 reviews

I've been using this Mic every week for about 2 years now and it has performed flawlessly. I'm very pleased with this purchase. Mic's are a very personal preference but I like the sound of this one on my vocals - it's very crisp and clean, not harsh. with a fairly even reponse. My example isn't the variant with a switch, hence only the four stars here for features, but that's what I knew I was getting. I didn't need or want the switch. If you do want a switch get that version instead and give it five :-)

Based on 4 reviews

Ich habe mir dieses Mikro nach einigen Tests und Empfehlungen (Bonedo.de) zugelegt. Das OM6 ersetzt mein SM58 und ich musste mit Freude feststellen, dass der Klang deutlich brillianter und Obertonreicher ist. Gesang und Sprache setzt sich wesentlich besser im Bandmix durch. Rückkopplung: Ich glaubs fast nicht, aber ich habe das OM6 einmal direct in die Monitorbox gehalten. Nichts! Kein Pfeifen oder Brummen. Das war bei dem SM58 nicht so... Ich kann das OM6 daher uneingeschränkt weiter empfehlen.

Based on 3 reviews

As you'd expect from Shure the build quality is excellent. Having used an SM58 for over 25 years a friend suggested I try a Sennheiser e945 as it made the SM58 sound as though you are singing through a blanket. I decided to try both the e945 and the SM58Beta. The e945 was the clear winner. Being a loyal Shure customer I decided to make the leap and try the KSM8. What a difference. Yes a lot more expensive than the e945 but worth every penny. It produces a clear natural sound and has needed no EQ tweaking... perfect straight out of the box. I have been using it for around 3 months and have had many comments on how my voice sounds so much more natural and clear. I would wholeheartedly recommend investing in this awesome mic.

Based on 3 reviews

This tiny mic is really wonderful. Gentle, warm sound, perfect for all needs. We mostly use it as a central microphone for 5 mic stereo recording. Once we recorded the grand piano in a live performance, we forgot to turn on the phantom power for the main microphones. 2 compositions were recorded with just this one small mic. We thought what to do and decided to use a record. To avoid losing these compositions, we used a digital stereo process. If you want, you can listen to M130 sound: best recommendations for this great mic. Thank you.

Based on 3 reviews

Someone introduced my a few months ago to this microphone and I was profoundly impressed how it sound. Although I was using Shure SM 58 for live events and RODE in the studio (god mics by the way) something, I don't know what, got my attention focused on AKG D7S. I bought one this year and man, I'm telling you, goes everywhere I go, doesn't matter if is a venue I attend to, as a guest or an event I organised, even when I'm invited to a party I don't go without my microphone. Some of you will say is not the best mic in the industry, but at this price range you won't find a better one.

Based on 2 reviews

I use fairly loud onstage monitoring , and had some feedback issues with a sure beta 58 , that whilst I could eq away a bit and reposition monitors and stand placement, I didn't like the resulting sound. The specs and reviews of the om11 seemed to tick the boxes , so I became a convert , and it does suit my deeper voice , and handles the "plosives" well. I tend to sing with my top lip on the shield , and it works well for me Although it does seem very robust , the first time I dropped it , one of the soldered wires came off the capsule. . . I was able to solder back on , and It carried on working without any further problems. . . But I have dropped sure mics several times and never had that problem. . . So I've docked a star for quality ! I've been a long time sm58 , then...

Based on 2 reviews

Apart from the great looks and material, this microphone is one every singer should try. Good chance you will keep it. The M80 has the sonic properties of a condenser type and the practical usability on stage of a dynamic mic. I use it myself, for live recordings and in the studio. Singers often choose the M80 not only for the sound, but also for the on and off axis qualities and -handling. Again, this is what you would expect from a high-sensitive codennser microphone. As a result, all singers in my band have a M80 now... Highly recommended.

Based on 1 reviews

Since receiving my PR30, I've been in love with it. The PR30 will delivery a highly punchy snare sound and a surprisingly competent bass drum sound (similar to a Shure B52). It is quickly becoming my favourite dynamic mic in many contexts, it's good on any drum, distorted guitars and proves itself well to micing up a bass cabinet as well. The PR30 comes in a relatively small box with it's clip, however I would've personally preferred it to have also come with a small bag similar to Shure products, but it is a small detail that can be easily rectified.