Best Austrian Audio OD5 Alternatives

Based on 2 reviews

I have 3 of these microphones and they are the core of my set. I used them to record an album with drum toms and the underside of the snare. I use them live as well for producing bands and recording the drums, cellos and a saxophone. The audio quality for the price is superb, having used lots of different microphones over the years i am really impressed. The big disadvantage with the microphones is the size with the drum clamp on smaller toms they are just a little bit too bit and some drummers have found it difficult to play around the microphone. It is a minor disadvantage that means sometimes it is better to use a boom stand rather than the drum clips. Summary: Great mic awesome audio response and great build quality. Love the clip it fits onto every drum rim. Price is very good. Just...

Based on 1 reviews

I didn't want to get a D112 or Beta 52, I'm not a fan of the Beta and I was curious about the 25 AX I don't regret the decision, it's got a nice thump and I'd back it as a contender with the others Mainly been using it for kick out, I've been using a 57 for the kick in and very happy with the results I know the Pro range was designed to be the more entry level set compared to other AT ranges but it doesn't sound cheap; with this, 2 AT2020s and a snare mic (57 or equivalent) then you can get a decent rock sound without breaking the bank too much. (Glyn Johns Method)

Based on 13 reviews

The audix D4 is for me the best floor tom mic with almost no need for EQ. Great low frequency response and punchy sound. I play metal and like the sturdyness of the capsule, and it can definitely take a hit or two without breaking (unlike Shure SM57). I would however recommend to buy another tom mount than the audix ones as they are made of plastic and hard to fixate (they tend to rattle a bit and not stay in place). I bought a kit of microphones and one additional D4 for the extra floor tom i have and it sound awesome.

Based on 10 reviews

This microphone is one of the best microphones to use on a drum kit especially on the toms. It is ultra sturdy and can handle any knocks with ease without damaging the internal components. Any of the Shure Beta series will not let you down with the sound it produces. It is very compact and designed for very close mic placement handling high SPL's. It keeps the sound isolated due to its super cardioid polar pattern. It is well worth saving up for a professional microphone like this instead of working up to it or going for a cheaper alternative. The XLR connector at the bottom of the mic simplifies the setup and makes the placement much more flexible.

Based on 471 reviews

This a great mic for many applications. It works effortlessly on Guitar amps and Snares as well as Acoustic Guitar...well just about everything really. It can even be great on Vocals (voice dependent of course). It's built like a tank to the best quality, like every Shure mic i ever used. As for extra features....its doesn't have any extras cos it doesnt them. Simply put, there is a reason every studio in the world have multiple SM57's in their mic lockers! If you don't have this mic, do yourself a favor and buy at least 1! All over it's a 5 Star must have.