Best Cameo Q-Spot 40 TW Black Alternatives

Based on 1 reviews

We bought some of these to provide video lighting for churches. The light output is very impressive and the constant 3000k output looks great both on camera and in person. The beam angle adjustment is great and allows for a huge range of cover. It’s not a follow spot so please don’t expect a crisp edge on the beam. It has a blurred edge to it which is preferable for our needs. Would not hesitate to buy these again.

Based on 1 reviews

I have recently purchased 8 of these lamps to replace 6 par 64 1k cans which we has been using for 20 years as FOH stage illumination. Bulb replacement is expensive and difficult. These flat par lamps are a lot less intrusive to the eye and I hope they will last for the next 20 years. As 2 channel, you have the option of cold white, which is very bright white or warm white, which has a nice soft look. You can combine the two and have a very bright but warmer look. All 18 leds are in use with each channel so there is no loss of power which ever you use. They can all be linked together from one power outlet as they are only 68 watts each, cutting out expensive sockets and wiring. Only 6 were needed for FOH, so 2 have gone on stage. We are highly delighted with them and are now completely...

Based on 4 reviews

The light output power is amazing! only minus is the remote control for me. I would like to have the dim function working just from the + and - buttons but for me it does not dim. I need to read propably the manual closer but this kind of buttons should work in my opinnion with no secret menus... just + and - and the light should change intensity. I will update my review if i solve this mystery. other than that amazing power!

Based on 1 reviews

Bought two of these for a small project. Added barn doors and use on light stands. Obviously, PAR 16 is not extremely bright but for small shoots and fill they work fine, and always good to have a few extra lights for a bigger setting. There's just one control: push to change colour temp, and rotate to change light output. They seem as robust as other PAR lights, like PAR 64s, and maybe better since they're smaller for the same gauge metal so probably less susceptible to dents as the bigger ones.

Based on 1 reviews

So, let's begin with what's really good in this fixture. Light output is enormous and no flicker issues even on lower refresh rate no problems adjusting color temperature (chamsys finally have a normal patch now) . Solid housing, absolutely can trust "U arms" which holds lamp the right angle you want. Frost front glass - i see it as advantage. However there is some reasons for 4 stars i gave. when you go all out (i mean 100% and killing some eyes on stage :D ) the cooler can be noticeable but i do not think that it can't be used in theater because of this reason. The real one i did NOT like the barn doors. 1) there is GAP between fixture and barn doors where the light goes where it wants ( What a heck???? ). 2) can NOT cut the flow the like you want. I mean more like no edge...