Electro Harmonix Ravish Sitar 4-stars Reviews

Quality pedal, as I have grown to expect from EHX

This pedal has so many features that many would find it useful. I enjoy it, but I haven't got my head around all the features.

Great for Ambient Music

The Ravish Sitar guitar pedal from Electro Harmonix is in a category completely of its own. Basically what it does is to create two additional voices to the dry guitar signal. One is a synthesized emulation of the melody strings of an Indian sitar (referred to as lead). This voice is unison with the dry signal unless an expression pedal is used to pitch bend the signal (explained below). The other is a synthesized emulation of the sympathetic or resonant strings of the sitar (referred to as sympathetic) which can either losely follow the melody being played or remain static depending on how the pedal is used. The three signals, dry, lead, and sympathetic, can be mixed by the three leftmost knobs on the pedal, to create an impressive amount of sonic variation. The three rightmost knobs are for adjusting the timbre of the lead and sympathetic, as well as managing presets and getting into the more detailed functions of the pedal.

The Ravish Sitar has so many functions and uses that it would be beyond the scope of a user review to try to explain them all. Instead I would like to write a bit about my own experience with the pedal and how I use it live. First the sound itself: The lead does NOT sound like a real sitar, but rather a kind of filtered synthesizer sound that can be interesting in itself. However, the sympathetic sound is actually quite close to the real thing and can also be used as a tanbura-like drone either by pressing and holding the preset footswitch while playing or by using an expression pedal in the drone input (the latter also controls the level of the drone). Both these methods will produce a rich drone while the dry/lead can play melodic lines on top. The pedal accepts a second expression pedal in the pitch input, which will then function as a whammy pedal, although only pitch shifting the lead signal and only upwards (up to an octave). I find this less useful for embellishing melodic lines, but I sometimes use it for pitching the lead a fifth above the dry signal in a whole section of a song, giving some interesting melodic sounds as well as chord possibilities. The dry/lead and the sympathtic have dedicated outputs and can be processed separately, or they can be summed in the pedal (I keep them separate).

I find both the drone and the pitch shifting useful for playing ambient music (which I do), and I will use the pedal for several songs in a set. For rock, pop, jazz etc. I think the pedal is more of a "novelty" effect to be used for 1-2 songs in a whole set. That's just my opinion, some might find more use for the synth-like lead than I do.

Apart from the lead not really sounding like a sitar, my only complaint is that the footswitches are too noisy, which is problematic for quiet music in smaller venues. A thing I found problematic at first: The sympathetic output sends the dry signal when the pedal is bypassed. Now I find that to be an advantage, however, as the pedal effectively functions as a splitter. It has to be taken into account when you make your setup, though.

In any case, the pedal is lots of fun to play around with and it gives a lot of inspiration and possibilities. I highly recommend it.

Remarkably actually sounds like a sitar

In summary, this pedal is something of an oddity. It's unlikely to be used on all your tracks, and its sound is very distinctive. That said, it can add a unique colour which might be exactly the creating boost you're after.

The pedal is solid, and quite large. All the controls are directly accessed through the dials on the top, and you can save presets into the pedal's memory. This is important, as you'll want to configure the key and scale for each track you use it on - if you're using this for a gig you can't just leave it on and expect all your tracks to work, unless they're all in the same key of course! So, you'll need to do some homework and setup before gigging, plan accordingly.

Sympathetic string resonance and drone sounds can be dialled in independently, both in terms of mix and in terms of how bright the sound is. Cutting the sympathetic strings and leaving only the drone can add a nice ambience, or you can turn everything up for an almost cymbal-like tone. Comparing with a friend's actual sitar, it's actually capable of producing a very similar sound, but it's also capable of sounding absolutely nothing like one.

I use this as a creative tool to help give me new ideas when writing tracks, rather than trying to replicate a sitar, but it can do that for you if that's what you need. It's a niche, but if you're feeling you're stuck in a musical rut it might just kick you out of it!

there's a whole world in this box

I bough the pedal to make a specific use of the sympathetic output. I wanted to take this signal to a mixer and combine it with some effects from a rack but I found a problem that kept me from doing this (read on).

The sound: Amazing. Plenty of harmonics, drone like sounds, nothing new to the EHX connoisseur. It does the same job as a Hog in some presets.

Two inputs for expression pedals offer many possibilities.

However, this is not a pedal to use right out of the box. It is very, very powerful, but you need to know what is it you want to do with it. The presets offer 4 different harmonizing scales with different modes so you can expect spending some time exploring different harmonizations (scales) in different modes, combining modes, and choosing the key signature (the works better in some keys, E, A and D in particular).

The sympathetic output carries the frequencies that would be excited in a sitar with the configuration of the preset chosen, however, even when it's level is CCW, it also carries the dry signal. This was the drawback to me, but it might not make a difference for another person.