the t.bone CC 75 Reviews

Great product

From small clubs to open air, excellently handles and string instruments and brass instruments

Multipurpose

I've bought it for a trombone and sold it to a violinist. I need another one, but don't play that much at the moment.

Amazing sound for the price.

Super mic for trumpet

I'm very satisfied with this mic. It changed my stage performance positively.

Orta

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Versatile.

Basically you get what you paid for. The rubber clip is kind if slippery but if you don't move too much its totally fine. The polar pattern of the mic is not too directional in my experience. And if you're using this for trumpet/trombone like me, be ready to hear some clipping if the mic, don't put it right in front of the bell, put it slightly offset and it'll be good.

A suprise for me is how good it is for using on drums. I do this in my wedding Gigs. I used only 1 of this and clip it on the snare, it picked up the whole drum kit no problem and actually the tom and snare sounds pretty decent.

Cheap but very good

I bought this microphone to have a spare mic for my trumpet, is very cheap but I was impressed with the quality. I don't recommend this mic for recording session but for rehearsal or live shows.

Distorted sound...

When attaching the clip to my rocket tom the sound is distorted. I "think" this is due to vibrations. I have to experiment on alternate ways of attaching the mics.

Great sound quality mic

It's a well balanced mic, ideal for a range of instruments. Placement is a key to capture the full breadth of the sound but the end result is incredible.

Good mic for recording my saxophone sound

I have saxofoon, and I needed a way to record the sound of it, into my DAW. This microphone is actually suprisingly good in doing this job. Sax sound warm and clear in my DAW.

CC75

the product is actually very good, compared to the prize. it could be sold more expensive. I still use it for years now.

Not impressed

It sounds ok but it needs phantom power and you need extra equipment for this. The worst thing is it's cable. It broke after a few months of use. It was easy to repair but I never found a cable with the right thickness to replace it. I had to use a thinner cable and now is even more fragile. I just keep it as a backup in case of emergency.

some great sound from this mic

powerful quality

Bad build quality

Good idea, good sounding mic. The clip broke on the first day.

The best low cost microphone

Used live and for recording with brass instruments without any particular issues.

Great Value

I have two of these mics, the first I bought for our banjo player. He clips it onto the tailpiece, and it stays there fairly secure. The second I got for the washboard player. The sound is excellent for the price. Some clip-on mics are silly money, and for 90% of the time, you just wouldn't know the difference. The only issue I've had is with the strain-relief where the thin cable enters the gooseneck. It's just a crimped ring of metal, and the cable pulled straight through it. I dare say the banjo player had stepped on the cable though, so his fault really!It was an easy repair though - it's good as new now. I would guess the first mic has done about 30 gigs by now, so it doesn't owe us much!

When it breaks, I'll probably buy another to be honest. Little mics like this can be considered a consumable in the long term, and this is robust as any other.

I personally bought it for my violin, it's affordable,transportable. Very easy to use, for musicians playing at a concert, you just have to plug it into a mix table.

Perfect

For the price bracket these mics are incredible. I use a lot of these for orchestral and remote theatre bands, they are just great for the application.

Very nice for the price

Initially I bought it to use with trumpets, trombones and saxophones but recently started to use with an acoustic guitar and it works well also.

Pros

,Price vs. Sound Quality

Cons

.Phantom Power

Amazing for any live brass!

Used this on sax at every gig I did for a year until the sax player stole it and now I hate him for it. Live engineers were constantly absolutely baffled by how clear and resistant to feedback it was, and the clamp is so steady it even managed to stay on when the player decided to crowdsurf! Its sound is warm but not muddy, and bright but not harsh, and the classic honk from close-mic'd brass is just not there. The only downside is the xlr cable being already attached to it so you can't swap in for a higher quality cable.

Again, another a value for money product.

I bought 3 for our brass section and they work well. I can balance them now properly as previously it was problem as each of the players would continually move closer or back from the microphones and I would have trumpets blasting or the trombones disappear into the background.